The glass roof of the museum’s atrium shatters, and I duck behind a pillar. Twenty-three rotund robots rappel through the jagged opening on extensible steel arms. Riding atop the center bot is a short, pudgy man in a purple-and-green-striped lab coat. Frizzy orange curls encircle his bald scalp like clouds around a shiny mountaintop.
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“It’s all over, Psycho-Metric! Drop the kilobomb!” I practice the command sotto voce as I scan the harbor, searching for the crimson lights of the mad mastermind’s speedboat.
Bloodbath Bridge looms above the dark water, a line of gold lamps tracing the gentle arcs of its suspension cables. Psycho-Metric has commandeered the six-lane crossing, and his goons are
“When Super Guy is busy, call Super Gus!”
My purple-and-orange logo fades into a montage of my greatest work set to a dramatic score. To be fair, most of the guys I’m pummeling in the amateur cell phone videos are not actual villains but Justice Lounge drunks hoping to look tough by beating up
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