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The Tenth Tongue

By Cassandra Hamm

The sea has its own language. The water breathes with its currents, exhales in swishes and clicks, spews forth moans and grunts. Sometimes the sounds coalesce into something recognizable, but just as quickly, it fades into unrelated background noise.

I listen anyway, wondering if this will be the tenth tongue I master in my lifetime. That is, if Thea and I manage not to end up in the belly of a tenebris—those foul beasts love the dark shafts we mine, almost as much as they hate the light we bring.

Scuba tank strapped to her back, Thea swims ahead of me. Her body glows green beneath her translucent suit, illuminating the utter blackness of the deep ocean. That poor young woman has already gone through so much. I’ll make sure she returns to her son, or I’ll die trying.

Thea pauses at a hole in the rocky cliff face and runs her finger across the outside, searching for a gouge to indicate we’ve already explored this tunnel. She must find nothing because she says in my comm, “Keep an eye out for that red sanosaxum!”

Exhaustion creasing her bioluminescent face, she looks to me for my response.

Light pulses from the skin under my eyes in dits and dahs—short-long-short, short, short-long-short-short, short-long, long-short-short-long. “Relax,” I spell out.

Thea’s eyes crinkle beneath her visor. “You try relaxing when you’re leading a deep-sea mission, Alina.”

I let my smile do the speaking for me since my tongue can’t.

The Lucifer Project—from luciferase and luciferin, key ingredients in bioluminescence—altered our bodies to become bioluminescent like some deep-sea creatures. Our light manifests in different ways, flowing from Thea’s entire body and the skin under my eyes. I’ve learned to use my bioluminescence for Morse code, my seventh tongue.

Perhaps it’s strange that I’ve always been so fascinated by languages when I can’t speak them. But there is something beautiful about the flow of words in the air, characters on a page, and their way of connecting humanity to each other.

Over my many years, I’ve seen people who don’t speak the dominant language of their area struggle to be heard. I can’t use my physical tongue, but I will always do what I can to connect to the misunderstood.

We enter the cave together, ignoring offshoots to swim through the main route, extraction lasers at the ready. I sense Thea’s tension in her jerky movements. Though the sanosaxum we harvested saved her son, I know she fears he’ll relapse while she’s here. We still don’t know the full extent of sanosaxum’s healing abilities—or how long it’ll last—but we have to keep harvesting it. For kids like Niko whose lives would’ve been cut short if not for the miracle mineral.

The dark walls, devoid of red sanosaxum, feel like a tomb, pressing in on us. Pale blue light flashes ahead.

“Careful,” Thea says, but I’m already squeezing past her, scuba fins pumping.

The floor is moving, undulating like its own tiny river. When my eyes adjust, I realize the ground is covered with translucent creatures—strange, gelatinous, with pale, ghost-like eyes.

Crinis—more accurately, tentaculum in Latin. Sure enough, tentacles uncoil from their bodies and reach toward me. I try to kick backward, but my fins are slow and unwieldy. The creatures’ suckers flash neon blue—a warning, likely—I’ve trespassed on their territory.

“Alina!” Thea shouts as I fumble for my extractor. “Get away!”

Something about the flashing seems familiar. Like
 it’s a language. As their tentacles hover over my suit, I release the laser in favor of cataloging their messages and sending out a mimicry.

They pause. I study the flashes emitting between them, so fast I can barely keep up. Their method of communication seems to be much more advanced than mine. But if I stayed down here long enough, I could likely figure it out. That is, if I had unlimited air and no fear of tenebris.

Thea swims toward me. The crinis tense up once more, their tentacles aimed at the newcomer. I shake my head at Thea. My eyes flash, “Let me.”

“I’ll cover you.” Her voice trembles.

Though I don’t think they’ll attack, I send another imitation of their language—at least, what I hope is an imitation. If I accidentally offend them


Again, a flurry of communication. I stay still, barely daring to breathe.

A glowing tentacle reaches toward me. Thea gasps into her comm. But when the appendage presses against my suit, it doesn’t feel like a threat. It feels like a pat on the shoulder.

The crinis who’s touching me pulses back. I’m not sure what it means, but its ice-blue circles shift to a softer, welcoming shade of blue-gray.

Perhaps if I move closer—

The crinis’ collective suckers suddenly blink out. My blood turns to ice.

I whip toward the unexplored tunnel, then to where we came from. A shadow, even darker than the deepest tunnel, fills the cave.

Thea’s laser splits the blackness. A tenebris howls, and blood clouds the water.

Not Thea! But what can I do? I’m just an old woman—

My eyes land on the cowering, lightless crinis. Before I can fully consider, I flash, “Please.” Will the imploring in my eyes translate what they don’t understand? I swim toward Thea, drawing my extractor––

Gelatinous bodies pour past me, tentacles writhing as the crinis flood toward the tenebris. The tenebris lurches back from the onslaught of blue light. Crinis latch onto the tenebris with their tentacles, and the shadow beast writhes and bucks beneath their fierce grip.

“Thank you,” I pulse.

Thea and I leave the warring beasts behind, kicking toward the open sea as quickly as our flippers will allow.

We may not have found any sanosaxum today, but I have found my tenth tongue.

[ratings]

ABOUT THE AUTHOR

Cassandra Hamm is a psychology nerd, jigsaw puzzler, and hopeless romantic who spends most of her time lost in another world. She spends much of her time mothering her two kittens, Keefe Hawthorne and Chase Daniel, who are named after her favorite middle grade heroes. Her work appears in various anthologies, including many of Havok’s collections, Warriors Against the Storm, When Your Beauty is the Beast, and The Depths We’ll Go To.


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21 comments - Join the conversation

  • So happy Havok decided to publish my sequel to The Lucifer Project. 💙🌊 I hope everyone enjoys this little story! â˜ș

  • Wow Cassie!! You know how to pack a punch in a 6 minute story! You really hooked me in with the opening phrases. I love the mc’s outlook on life and languages –it’s so endearing. The rich atmosphere was entrancing and a beautiful mix of wonder and tension. I really enjoyed this one!

  • Oh my gosh this is amazing!! I felt like I was there. The description was so rich and beautiful.

    And as always Cassandra has created such a complex world with these unique creatures, this sickness, a mining operation
 the detail extends past this one story and I feel like I could start to imagine this whole world. I felt like I was playing Subnautica (a video game known for its intense undersea complex realism) and a part of a National Geographic expedition.

    There is a great concise story and yet there are also so many questions it raises. Will the woman’s son be okay? What’s healing him? What’s wrong with him? What are the other tongues the narrator knows? Why is she mute? Yet I am still left satisfied with the story. Enthralled even at feeling the rush of excitement that the creatures seemed to calm themselves because of her mimicry and then that they understood her when she cries for help! So beautiful! I got chills. This sort of inter species communication and aid reminds me of the film Arrival.

    I would totally love to see this as a short film or as illustrations in a book. I want to know more about what happens and see the rest of this complex world.

    Well done Cassie. The pacing, world building and word choices were spot on!

    • Thank you so much, Holly!! ❀ There was definitely some Subnautica influence via the soundtrack. 😁 and let’s just say I love National Geographic documentaries, so there was some influence there as well. 😂 oh, it would be amazing to see it as a short film!!

  • What a fascinating story! I love the details and the stakes, and it’s wonderful to hear from Alea.
    Well done!

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